國(guó)家

Hamilton’s image of a patrolling British soldier expresses the unease of the army’s equivocal position in Northern Ireland. Brandishing a weapon, yet moving protectively backwards, he is both on the offensive and defensive. The rural Irish landscape and city streets behind him pose equal threats. Hamilton has incorporated real fabric into the soldier’s fatigues, merging pictorial representation and reality. The construction of images through costume and artifice has been a consistent concern in Hamilton's works.