The Filmmaker's Handbook

Review

"Gold-standard technical reference book for filmmakers."

a"Boston Globe"

"This is an essential book."

a"Self-Reliant Filmmaking"

"You need this book. Billed as the authoritative guide to filmmaking from fundraising to distribution, the book achieves this in clear, accessible language using current up-to-date information. It's easy to see why this has become a standard te...

Review

"Gold-standard technical reference book for filmmakers."

a"Boston Globe"

"This is an essential book."

a"Self-Reliant Filmmaking"

"You need this book. Billed as the authoritative guide to filmmaking from fundraising to distribution, the book achieves this in clear, accessible language using current up-to-date information. It's easy to see why this has become a standard text in many film schools. A gilt-edged investment for aspiring and beginning filmmakers and it would not be out of place in the libraries of experienced professionals either."

aJames MacGregor, Netribution.co.uk

"This edition of the book is awesome. I don't know how you managed it. Such a mass of information so expertly organized and so clearly presented! Amazing."

aAlfred Guzzetti, Professor, Harvard University

"I was thrilled to find your book, which is a gem. No matter what corner of the subject I poked into, looking for cogent explanations, the Handbook passed with flying colors. So please accept my admiration, appreciation and thanks."

aPat Jackson, Asst. Prof., San Francisco State Univ.A

"Gold-standard technical reference book for filmmakers."

—Boston Globe

"This is an essential book."

—Self-Reliant Filmmaking

"You need this book. Billed as the authoritative guide to filmmaking from fundraising to distribution, the book achieves this in clear, accessible language using current up-to-date information. It's easy to see why this has become a standard text in many film schools. A gilt-edged investment for aspiring and beginning filmmakers and it would not be out of place in the libraries of experienced professionals either."

—James MacGregor, Netribution.co.uk

"This edition of the book is awesome. I don't know how you managed it. Such a mass of information so expertly organized and so clearly presented! Amazing."

—Alfred Guzzetti, Professor, Harvard University

"I was thrilled to find your book, which is a gem. No matter what corner of the subject I poked into, looking for cogent explanations, the Handbook passed with flying colors. So please accept my admiration, appreciation and thanks."

—Pat Jackson, Asst. Prof., San Francisco State Univ. --This text refers to an out of print or unavailable edition of this title.

Review

"Gold-standard technical reference book for filmmakers."

—Boston Globe

"This is an essential book."

—Self-Reliant Filmmaking

"You need this book. Billed as the authoritative guide to filmmaking from fundraising to distribution, the book achieves this in clear, accessible language using current up-to-date information. It's easy to see why this has become a standard text in many film schools. A gilt-edged investment for aspiring and beginning filmmakers and it would not be out of place in the libraries of experienced professionals either."

—James MacGregor, Netribution.co.uk

"This edition of the book is awesome. I don't know how you managed it. Such a mass of information so expertly organized and so clearly presented! Amazing."

—Alfred Guzzetti, Professor, Harvard University

"I was thrilled to find your book, which is a gem. No matter what corner of the subject I poked into, looking for cogent explanations, the Handbook passed with flying colors. So please accept my admiration, appreciation and thanks."

—Pat Jackson, Asst. Prof., San Francisco State Univ.

STEVEN ASCHER

代表作包括在圣丹斯電影節(jié)首映的影片《生生不息/So Much So Fast》，以及曾提名奧斯卡獎并獲得圣丹斯電影節(jié)評委會獎和觀眾獎的影片《惱人的小灣/Troublesome Creek》（兩部電影都是和他的妻子Jeanne Jordan共同制作的）。

Steven在哈佛大學(xué)和麻省理工學(xué)院執(zhí)教過電影制作。他曾榮獲的獎項(xiàng)包括意大利獎（the Prix Italia）、美國廣播電視文化成就獎，并且還曾獲得美國導(dǎo)演工會獎提名。

他的網(wǎng)站是www.WestCityFilms.com。

EDWARD PINCUS

代表作包括《黑色納齊茲/Black Natchez》、《帕諾拉/Panola》和《一個麥卡錫支持者的肖像/Portrait of a McCarthy Supporter》（三部影片都是和David Neuman共同制作的...

STEVEN ASCHER

代表作包括在圣丹斯電影節(jié)首映的影片《生生不息/So Much So Fast》，以及曾提名奧斯卡獎并獲得圣丹斯電影節(jié)評委會獎和觀眾獎的影片《惱人的小灣/Troublesome Creek》（兩部電影都是和他的妻子Jeanne Jordan共同制作的）。

Steven在哈佛大學(xué)和麻省理工學(xué)院執(zhí)教過電影制作。他曾榮獲的獎項(xiàng)包括意大利獎（the Prix Italia）、美國廣播電視文化成就獎，并且還曾獲得美國導(dǎo)演工會獎提名。

他的網(wǎng)站是www.WestCityFilms.com。

EDWARD PINCUS

代表作包括《黑色納齊茲/Black Natchez》、《帕諾拉/Panola》和《一個麥卡錫支持者的肖像/Portrait of a McCarthy Supporter》（三部影片都是和David Neuman共同制作的）。他曾拍攝開創(chuàng)性的個人化紀(jì)錄片《日記：1971-76/Diaries: 1971–76》。他在麻省理工大學(xué)建立了電影學(xué)科，后在哈佛大學(xué)任教。他曾榮獲古根海姆基金獎（Guggenheim Fellowship），并且是廣泛使用的《電影制作指南/Guide to Filmmaking》一書的作者?，F(xiàn)在他在新英格蘭北部從事鮮切花種植業(yè)，并著手制作新電影《閣樓之斧 /The Axe in the Attic》。