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          克里斯·奧菲利

          0粉絲
          克里斯·奧菲利(Chris Ofili)出生于1968年,是一位英國藝術家,是英國青年藝術家群體的成員之一。在切爾西藝術與設計學院獲得本科學位之后,到英國皇家藝術學院學習并拿到美術專業(yè)的碩士學位。1998年獲得英國現(xiàn)代藝術的最高獎“特納”獎,并于2003年作為英國代表參加了威尼斯雙年展??死锼埂W菲利現(xiàn)在工作和生活于特立尼達和多巴哥。
          簡介
          克里斯·奧菲利(Chris Ofili)出生于1968年,是一位英國藝術家,是英國青年藝術家群體的成員之一。在切爾西藝術與設計學院獲得本科學位之后,到英國皇家藝術學院學習并拿到美術專業(yè)的碩士學位。1998年獲得英國現(xiàn)代藝術的最高獎“特納”獎,并于2003年作為英國代表參加了威尼斯雙年展??死锼埂W菲利現(xiàn)在工作和生活于特立尼達和多巴哥。
          影視作品
          上室: 莫諾·阿馬里洛
          圣母瑪利亞
          The Holy Virgin Mary is a painting created by Chris Ofili in 1996. It was one of the works included in the Sensation exhibition in London, Berlin and New York in 1997–2000. The subject of the work, and its execution, caused considerable controversy in New York, with Rudolph Giuliani – then Mayor of New York City – describing Ofili's work as "sick".On a yellow-orange background, the large painting (8 feet high by 6 feet wide) depicts a black woman wearing a blue robe, a traditional attribute of the Virgin Mary. The work employs mixed media, including oil paint, glitter, and polyester resin, and also elephant dung and collaged pornographic images. The central Black Madonna is surrounded by many collaged images that resemble butterflies at first sight, but on closer inspection are photographs of female genitalia; an ironic reference to the putti that appear in traditional religious art. A lump of dried, varnished elephant dung forms one bared breast, and the painting is displayed leaning against the gallery wall, supported by two other lumps of elephant dung, decorated with coloured pins: the pins on the left are arranged to spell out "Virgin" and the one on the right "Mary". Many other works by Ofili in this period – including No Woman No Cry – incorporate elephant dung, particularly as supports for the canvas, inspired by a period that Ofili spent in Zimbabwe.The potent mixture of the sacred (Virgin Mary) and the profane (excrement and pornography) became a cause of controversy when the Sensation exhibition moved to New York in 1999. The City of New York and Mayor Rudolph Giuliani brought a court case against the Brooklyn Museum, with Giuliani describing the exhibition of Ofili's work as "sick" and "disgusting". Giuliani attempted to withdraw the annual $7 million City Hall grant from the museum, and threatened it with eviction. The museum resisted Giuliani's demands, and its director, Arnold L. Lehman, filed a federal lawsuit against Giuliani for a breach of the First Amendment. The museum eventually won the court case. Giuliani was reported as claiming that Ofili had thrown elephant dung at a painting of the Virgin Mary: "The idea of having so-called works of art in which people are throwing elephant dung at a picture of the Virgin Mary is sick." The press also reported that the painting was "smeared", "splattered" or "stained" with dung. Ofili, raised as a Roman Catholic commented that "elephant dung in itself is quite a beautiful object."The work was protected by a plexiglass screen, but was damaged when Dennis Heiner smeared white paint over the canvas on 16 December 1999. Heiner was charged with second-degree criminal mischief, and received a conditional discharge and a $250 fine. Scott LoBaido, an artist from Staten Island, was arrested on 30 September 1999 for throwing horse manure at the museum. He accused Chris Ofili's work of "Catholic bashing". Museum guards protecting the painting were quoted as saying: "It's not the Virgin Mary. It's a painting." The brouhaha in New York has been compared to the Armory Show in 1913. Ofili's work caused less of a stir in the exhibition's London in 1997 – where Marcus Harvey's painting Myra was more controversial in the UK – or in Berlin in 1998. A planned exhiibition at the National Gallery of Australia in Canberra in 2000 was cancelled after the US controversy. The painting was bought by David Walsh in 2007. It was included in Ofili's mid-career retrospective at Tate Britain in 2010. As of 2011, it is exhibited at Walsh's Museum of Old and New Art in Hobart, Tasmania – the largest private art museum in the Southern Hemisphere.
          不,女人,不要哭
          No Woman No Cry is a painting created by Chris Ofili in 1998. It was one of the works included in the exhibition which won him the Turner Prize that year (the first painter to win the prize since Howard Hodgkin in 1985). The Financial Times has described it as "his masterpiece".The painting is in mixed media, including acrylic paint, oil paint, and polyester resin. Against a golden background, it depicts the portrait of a black woman with braided hair weeping. Each tear includes an collaged image of Stephen Lawrence, who was murdered in 1993 and whose mother, Doreen, was leading a campaign in 1998 for an inquiry into the failed murder investigation; the campaign for the inquiry was successful, with the final report declaring in 1999 that the police department conducting the investigation was "institutionally racist". The painting is sometimes described as being a painting of Doreen Lawrence. Barely visible in phosphorescent paint (but clearer in dark conditions) are the words "R.I.P. Stephen Lawrence 1974-1993". The painting is Ofili's tribute to Stephen Lawrence. Ofili was inspired by the dignity of Stephen's mother, Doreen Lawrence, in the face of her personal tragedy. He also intends it to be seen as a more general portrayal of melancholy and grief. The Financial Times has described it as "a modern Pietà". It takes its name from Bob Marley's reggae song, "No Woman, No Cry".The canvas measures 243.80 centimetres (95.98 in) high by 182.80 centimetres (71.97 in) wide, and is displayed leaning against the gallery wall, supported by two dried, varnished lumps of elephant dung. A third lump forms the pendant of the necklace. Map pins on the lower two lumps spell out the painting's title.The painting was purchased by the Tate Gallery in 1999. It was included in a mid-career retrospective of Ofili's work at Tate Britain in 2010, and selected by the Tate as its initial painting to have a high-resolution gigapixel image included in the Google Art Project, together with an image taken in the dark to highlight the phosphorescent paint.
          兩個大便隊長和黑星傳說
          Captain Shit is a superhero invented by Ofili, who has appeared in a number of his paintings since 1996. Partly inspired by the Marvel Comics character Luke Cage, Captain Shit is a symbol of black superstardom. The collaged black stars refer to the many untold stories of fame in black history. The distinctive surface of the painting was created by gradually building up layers of paint and resin, combined with paper cut-outs, glitter stars, map pins and elephant dung.
          上層房間:白猴子
          上層房間:莫諾佛得山林小屋
          上層房間:綠松石猴子
          上層房間:事情羅霍
          上層房間:單聲道玫瑰
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          2023
          07-08
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