大衛(wèi)·威爾基認(rèn)領(lǐng)

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威爾基先后在愛丁堡和倫敦皇家藝術(shù)學(xué)院學(xué)習(xí)。他在歐洲旅行時(shí)（1825-1828年）研究了委拉茲開斯和牟利羅的作品，繼而轉(zhuǎn)向歷史題材。威爾基在1830年為喬治四世畫了《平凡的畫家》，1836年封為爵士。其作品《鄉(xiāng)村政客》（Village Politicians，1806年），位居蘇格蘭日常生活繪畫系列之首。他的其他作品還包括《盲人小提琴手

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簡(jiǎn)介

大衛(wèi)·威爾基（英文：David Wilkie，1785年11月18日-1841年6月1日），又稱為大衛(wèi)·威爾基爵士（Sir David Wilkie），蘇格蘭畫家，皇家院士。一個(gè)頭上戴著光環(huán)的、十九世紀(jì)頂級(jí)藝術(shù)大師，他是開創(chuàng)英國鄉(xiāng)村生活場(chǎng)景題材的鼻祖。威爾基先后在愛丁堡和倫敦皇家藝術(shù)學(xué)院學(xué)習(xí)。他在歐洲旅行時(shí)（1825-1828年）研究了委拉茲開斯和牟利羅的作品，繼而轉(zhuǎn)向歷史題材。威爾基在1830年為喬治四世畫了《平凡的畫家》，1836年封為爵士。其作品《鄉(xiāng)村政客》（Village Politicians，1806年），位居蘇格蘭日常生活繪畫系列之首。他的其他作品還包括《盲人小提琴手》（1807年）和《租借日》（1808年）。

影視作品

阿伯茨福德家族

Wilkie visited Sir Walter Scott and his family at their country home of Abbotsford in 1817. Scott is seated as though he is about to relate a story to the gathering of family and friends. Wilkie commented on the 'good humour and merriment' of everyone in the party. He exercised artistic licence, depicting Scott's daughters as bare footed country milkmaids, but also included a realistic portrayal of Scott's highland dog, a present from the Laird of Glengary. The landscape background recalls the Tweed Valley, with a distant view of Melrose. Painted on panel the picture has the character of an oil sketch.

《盲人小提琴手》，《偉人告訴偉人的生活》插圖，理查德·威爾遜編輯

君士坦丁堡的坐著的夫人

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給羊群洗澡

This painting was based on sketches that Wilkie made around 1815 during a retreat to the Wiltshire countryside from his permanent home in London. It is believed to show a scene at Fisherton Delamere, near Salisbury. Shortly before the painting was exhibited at the British Institution in 1817, he wrote to the great art patron and amateur landscape painter Sir George Beaumont. Wilkie asserted that although landscape painting was entirely new to him, the picture was done with the sole object of teaching himself how to ‘paint an out-door scene with facility’. Wilkie was a great admirer of seventeenth century Dutch landscapes, and this practical scene of work and nature recalls the paintings of Jacob van Ruisdael and Meindert Hobbema, especially in the inclusion of the water-wheel motif.