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          揚(yáng)·希勃瑞茲

          0粉絲
          揚(yáng)·希勃瑞茲(Jan Siberechts,1627–1703年)是佛蘭德的風(fēng)景畫家,在安特衛(wèi)普獲得成功的職業(yè)生涯后,移居到了英格蘭。在揚(yáng)·希勃瑞茲的早期作品中,發(fā)展了個人山水畫風(fēng)格,重點(diǎn)是佛蘭德的鄉(xiāng)村和鄉(xiāng)村生活。后來在英國繪畫的風(fēng)景通過代表一個普遍的主題而保留了佛蘭德的性格。揚(yáng)·希勃瑞茲還為自己的英國顧客畫了狩獵場面,他在英格蘭創(chuàng)建的地形圖是英國景觀傳統(tǒng)的開端。
          簡介
          揚(yáng)·希勃瑞茲(Jan Siberechts,1627–1703年)是佛蘭德的風(fēng)景畫家,在安特衛(wèi)普獲得成功的職業(yè)生涯后,移居到了英格蘭。在揚(yáng)·希勃瑞茲的早期作品中,發(fā)展了個人山水畫風(fēng)格,重點(diǎn)是佛蘭德的鄉(xiāng)村和鄉(xiāng)村生活。后來在英國繪畫的風(fēng)景通過代表一個普遍的主題而保留了佛蘭德的性格。揚(yáng)·希勃瑞茲還為自己的英國顧客畫了狩獵場面,他在英格蘭創(chuàng)建的地形圖是英國景觀傳統(tǒng)的開端。
          影視作品
          推著馬車過河的人
          兩名婦女駕著馬車從被河流淹沒的木道邊緣行進(jìn)
          Siberechts painted the present painting in 1692, by which stage he had been living and working in England for many years. This painting is however dramatically different from his usual work of this period. Instead it follows in the tradition of the landscapes from his later Flemish period, which he occasionally still produced. By comparing A Horse-Drawn Cart with Two Women Travelling down a Flooded Road at the Edge of a Wood to a painting from his Flemish period, such as Peasants Crossing a Stream, which was executed over twenty years earlier, it becomes apparent that Siberechts has adopted the manner and style of the earlier work in the present painting. Both paintings have a stretch of water in the foreground on which Siberechts has indulged a clear interest in the glittering effects of light off the water’s surface. In both works the dominant figures are female, and the inclusion of cattle wading through the water are a prominent feature. The employment of the expanding distant landscape which leads our eye deep into the background of the work, is again a technique apparent in both paintings.
          農(nóng)民乘著馬車沿著被水淹沒的道路行進(jìn)在樹木繁茂的景色中
          A Wooded Landscape with Peasants in a Horse-Drawn Cart Travelling Down a Flooded Road, though the date is now unreadable, is an exceptional example characteristic of Siberechts’ production during his Antwerp period. These paintings of noble peasants, completed between 1661 and 1672, drew strongly on the rustic way of life that he had observed in Flanders and are generally considered to represent his best works. The recurrence of scenes showing fords or flooded roads through which peasants wade with their cattle, hay wagons and carts laden with vegetables demonstrate Siberechts’ predilection for portraying such motifs. These compositions not only display his great skill as a genre painter, but also enabled him to masterfully depict the iridescence of light on moving water. In the present work, the water is gently splashed about by the hooves of the horse and cart as it picks its way through the flood, the light catching the disturbed waters.
          市場花園
          這可能是德比郡的廣闊的河流景觀,,前景是驅(qū)趕者和他們的牛。
          除蟲現(xiàn)場。揚(yáng)·希勃瑞茲畫的農(nóng)家院子里的細(xì)節(jié)。
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          里程碑1
          LOG0
          2023
          07-07
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